Microphones to the mixer
Every host and guest on their own mic, balanced on an audio mixer in the room.
Forty-seven episodes of a multi-camera motocross talk show, switched live and published everywhere listeners are.
The Future Motocross Podcast — first called Future Motocross Radio — brought racers, team owners, and track people into The Legends Room to talk motocross and supercross. EMAPAR produced every episode, from the cameras and microphones in the room to the episode on YouTube, Apple Podcasts, and Spotify.
A good motocross conversation runs long. Guests stay for two hours, the stories wander, and the best moment can come ninety minutes in. Editing that from several cameras after the fact would have taken longer than recording it — every week.
Future Motocross wanted a show that looked like a real production, with a camera on whoever was talking, without hours of editing standing between the recording and the release.
The show was switched as it was recorded, so the finished episode existed the moment the conversation ended.
Every host and guest on their own mic, balanced on an audio mixer in the room.
The cameras and the mixer’s output feed an ATEM switcher, which cuts between wide shots, two-shots, and close-ups as the conversation moves.
The ATEM’s finished program — picture and sound together — goes into OBS, which records the episode.
The video goes to YouTube, and the audio goes out through the podcast feed to Apple Podcasts and Spotify.
Most episodes were recorded in the studio, a room of signed jerseys and race bikes. When the story was at the track, the show went there too.



Over 47 episodes the show hosted professional racers, rising amateurs, team owners, and the people who run Florida’s tracks.

The 39 full episodes on YouTube add up to more than 62 hours of conversation — an average of about an hour and a half each, and the longest past three hours. Watch the episodes on YouTube →
The same setup — a camera on whoever is talking, clean audio, and an episode that is finished when the recording stops — works for business shows, church and ministry podcasts, interviews, and panel discussions.
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